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As the Swan Lake theme rings out from a piano, Principal Dancer Dusty Button arches her back and curves her arms into the form of delicate wings. Button seems to float across the studio as she rehearses for her full length debut with Boston Ballet in Mikko Nissinen's
Culture
Clever choreography and intelligent dancing told the tale of a fiery romance last Thursday at the Boston Opera House. Boston's lead dancers left the audience breathless when the curtain closed on opening night of Boston Ballet's latest production, John Cranko's Onegin. Cranko's
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Massachusetts
Last week, Boston Ballet announced a dynamic program for its 2016-17 season. The company will open with the North American premiere of Ivan Liška's Le Corsaire, and will also be the first North American group to perform William Forsythe's complete Artifact. The catalogue also includes works
Culture
With less than two weeks left before the opening night of John Cranko's Onegin, Boston Ballet is perfecting the final details of their newest creation. It is the first time Principal Dancer Misa Kuranaga has undertaken the lead role. Yet after only one week, Kuranaga mastered the choreography,
Massachusetts
Stepping out of the winter chill into the palatial foyer of the Boston Opera House, ruby walls of damask warm your face and towering columns of snow-white marble lift your eyes to a grand center staircase showcasing a majestic, emerald-green Christmas tree. Arriving at the theater for this season'
Massachusetts
Boston Ballet opened its 2015-16 season with a bold statement: the North American première of The Third Symphony of Gustav Mahler: A Ballet, by choreographer John Neumeier. The work is set to Mahler's Symphony No. 3, and is known for being physically demanding. The ballet lasts one hour
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