The African Great Lakes region: How to save democracy and stop violence — and why you should care

The African Great Lakes region: How to save democracy and stop violence — and why you should care

My name is Joseph Mulala, and I grew up in Goma, in the eastern region of the Democratic Republic of Congo. I am the first Congolese graduate of West Point Military Academy, and I look forward to being one among many. I have lived through the turbulent years of Congo's recent past, and I am concerned by the repeated and synchronized violation of constitutional term limits by heads of state in the African Great Lakes region, which threatens our democracy, freedom and stability. In an already fragile region, these actions raise the specter of increased instability and human rights violations, destroying the small progress achieved thus far. Burundi's growing instability could extend into the DRC and Rwanda, as it frequently has over the past 25 years, eventually engulfing the whole region in chaos — again.

The palpable tensions among various groups of people in the region should not be ignored. For instance, many Congolese expressed their dissatisfaction with President Joseph Kabila's recent State of the Union address by demanding he leave office at the end of his current term in 2016. I disagree with the claim that Western democratic principles should not be applied to Africa. These claims are excuses to distract from political mistakes, incompetence and an unjustified hold on power. The failure of democracy in Africa is less about a cultural mismatch and more about the lack of will of African leaders to 'do the right thing' for their countries. They have failed to perceive public service as an honorable and noble calling and have fulfilled personal ambition rather than embracing the larger cause of securing the hope in the eyes of generations yet to be born.

The unique, intricate makeup of glam rock
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The unique, intricate makeup of glam rock

The New Noise

Combining the straightforward songwriting of pop, the hardness of rock, and the strangeness of psychedelic folk, glam rock quickly became a powerful force in the growing youth culture of the early '70s.

Glam rock debuted with Marc Bolan of T. Rex, formerly a psychedelic folk group that had gained a small following in the underground folk scene of late-60s England, who wore glittering clothes and played its song "Hot Love" on Top of the Pops in 1971. The song would reach No. 1 on the UK pop charts soon after. Seen today, the performance seems soft, mellow and unthreatening, but at the time the sight of young men in tight, glittering clothes, playing a song with obvious sexual overtones was scandalous. At this stage glam rock still sounded like the folk rock that had come before it, but by T. Rex's Electric Warrior, it had transformed into a much harder and faster sound. Electric Warrior was a statement. Its cover showed singer and guitarist Marc Bolan, outlined in gold on black, with long, curly hair holding an electric guitar in front of an enormous set of speakers. Bolan portrayed himself as a rock star, and that made him one. But even so, he would be overshadowed by the creation of the ultimate glam rock star: Ziggy Stardust.

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